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2013 考研英语一 Section II Part C Translation

Part C Directions: Read the following text carefully and then translate the underlined segments into Chinese. Your translation should be written neatly on the ANSWER SHEET. (10 points) It is speculated that gardens arise from a basic human need in the individuals who made them: the need for creative expression. There is no doubt that gardens evidence an irrepressible urge to create, express, fashion, and beautify and that self- expression is a basic human urge; (46) yet when one looks at the photographs of the gardens created by the homeless, it strikes one that, for all their diversity of styles, these gardens speak of various other fundamental urges, beyond that of decoration and creative expression. One of these urges has to do with creating a state of peace in the midst of turbulence, a “still point of the turning world,” to borrow a phrase from T. S. Eliot. (47) A sacred place of peace, however crude it may be, is a distinctly human need, as opposed to shelter, which is a distinctly animal need. This distinction is so much so that where the latter is lacking, as it is for these unlikely gardeners, the former becomes all the more urgent. Composure is a state of mind made possible by the structuring of one’s relation to one’s environment. (48) The gardens of the homeless, which are in effect homeless gardens, introduce form into an urban environment where it either didn’t exist or was not discernible as such. In so doing they give composure to a segment of the inarticulate environment in which they take their stand. Another urge or need that these gardens appear to respond to, or to arise from, is so intrinsic that we are barely ever conscious of its abiding claims on us. When we are deprived of green, of plants, of trees, (49) most of us give in to a demoralization of spirit which we usually blame on some psychological conditions, until one day we find ourselves in a garden and feel the oppression vanish as if by magic. In most of the homeless gardens of New York City the actual cultivation of plants is unfeasible, yet even so the compositions often seem to represent attempts to call forth the spirit of plant and animal life, if only symbolically, through a clumplike arrangement of materials, an introduction of colors, small pools of water, and a frequent presence of petals or leaves as well as of stuffed animals. On display here are various fantasy elements whose reference, at some basic level, seems to be the natural world. (50) It is this implicit or explicit reference to nature that fully justifies the use of word garden, though in a “liberated” sense, to describe these synthetic constructions. In them we can see biophilia—a yearning for contact with nonhuman life—assuming uncanny representational forms.

Echo 参考译文、难点评析与错误点总结

说明：以下为 Echo 生成的非官方参考译文和学习解析，用于自测、批改和复盘；不等同于官方答案。

Echo 参考译文

46. 然而，看到那些无家可归的人所创建的花园的照片时，我们不禁会发现这一系列花园尽管风格各异，揭示的却是几种其他的根本需求，不限于美饰与创意表达的范畴。
47. 一处安恬的憩园，无论多么简陋，都是一种人性特有的需求，与此相反，一个栖身之所则是动物性特有的需求。
48. 无家可归者的花园，其实也就是无家之园，将形式引入了一个无形或无法辨认形式的都市环境。
49. 大多数人会感到精神不振，并通常把它归咎于某种心理状况；直到有一天我们置身花园，却往往会发现郁闷之感奇迹般地消失殆尽。
50. 正是这或明或暗的对自然界的指涉使这些人工合成的建筑物完全够得上“花园”之称，尽管得稍稍“解放”这个词的语义才能这么说。

整体难点评析

本文主题可归为“考古发现与历史遗址”。英语一翻译通常为 5 个划线句，每句 2 分。复盘时应逐句拆主干、定修饰范围，再检查抽象名词和逻辑关系是否落到中文里。

• 结构难点：重点关注名词化结构、被动与非谓语、逻辑连接、修饰后置、长句主干识别。先找主句谓语，再处理从句、分词、介词短语和插入成分，避免在中文里把修饰关系接错。
• 词义难点：不要机械使用词典第一义，尤其是抽象名词、学术动词和评价性形容词。应根据上下文确定它们是在表示事实、趋势、原因、态度还是结果。
• 逻辑难点：翻译时要显化英语中的因果、转折、让步、递进和目的关系。中文可以调整语序，但不能丢掉逻辑方向。
• 表达难点：中文译文要准确优先，再追求通顺。可以适度增补主语或承接词，但不能加入原文没有的信息。

常见错误点总结

• 主干误判：把修饰成分当主句，或漏掉真正谓语，会导致整句方向错误。
• 修饰范围错误：定语从句、分词短语和介词短语常常后置，翻译时要判断它修饰哪个名词或动作。
• 抽象名词处理生硬：如 process、approach、engagement、movement、connection 等词，要根据上下文译成“过程、方式、参与、运动、联系”等合适表达。
• 逻辑词漏译或反译：but、despite、while、so、as、with 等小词常决定句子关系，是扣分高发点。
• 中文表达不成句：逐词硬贴会让译文读不通。建议译完后用中文默读一遍，检查主语、谓语、宾语和逻辑连接是否完整。